|

Return to Home Page
MUS 112
Links will become active as the
appropriate planets align.
GRADES
Syllabus Spring
2012 (Word .doc file)
Syllabus Spring
2012 (.pdf file)
TEST ONE STUDY GUIDE
TEST TWO STUDY GUIDE
TEST THREE STUDY GUIDE
TEST FOUR STUDY GUIDE
FINAL EXAM STUDY GUIDE
REFERENCE INFORMATION
Harmonic Progression; Leading-Tone & Supertonic Triads
9(full circle progression, common progressions
chart, diminished triad,
leading tone triad, supertonic triad, unequal 5ths)
Nonharmonic Tones I
(passing tone, neighboring tone, figured bass
symbols re nonharmonic tones)
Nonharmonic Tones II
(suspensions, retardation, anticipation,
appoggiatura, escape tone,
successive neighbors, pedal tone)
Dominant Seventh & Supertonic Seventh Chords
(dominant 7th chords, supertonic 7th chords)
Submediant & Mediant Triads
(submediant triad, mediant triad, root movement)
Melodic Line II
(means of melodic extension, phrase group, double
period)
v and VII Triads; Phrygian Cadence
(minor dominant triad, subtonic triad, medieval
modes,
determining a transposed mode, half cadence, phrygian cadence)
Harmonic Sequence
(harmonic sequence defined, roots down a 5th up a
4th,
roots up a 5th down a 4th, roots down a 3rd up a
4th,
roots down a 3rd up a 2nd, roots down a 4th up a
2nd)
Secondary Dominants; Elementary Modulation
(chromaticism, secondary dominant chords,
tonicization, modulation,
determining which chords can be pivots, cross
relation)
*Determining
Secondary Dominant Chords*
Return to Home Page
|