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Handout - Talking Points
#1
Do You Believe?
Why it is imperative to have a sound philosophy of Music Education
A sound philosophy of music education
will:
1. guide and direct our daily
teaching enterprises.
[philosophy‑principles‑objectives]
2. clarify and explain our subject matter.
[students‑parents‑teachers‑administrators]
3. inspire and enlighten the meaningful nature of our teaching.
[reminder and re‑inforcement to ourselves as teachers]
A well‑founded philosophy will
include:
1. your developing understanding
of the aesthetic experience
2. your developing understanding of the role of music in the schools
3. your developing understanding of the nature of education in general
4. your developing understanding of your role as a professional
Your philosophy will
continue to develop as you:
1. grow musically, intellectually
and personally
2. have ongoing "quality" experiences with and about "quality" music
3. spend time in reflective thinking, not just mindless activity
The primary purpose of music
education is to develop the aesthetic potential, which every human possesses
to its highest possible level [Charles Leonhard]
Primary Purpose: not the only,
but the primary?
Aesthetic Potential: what is aesthetic potential?
Every Human: do we really mean everyone?
Highest Possible Level: who decides what level?
Intrinsic & Extrinsic Goals of our Music Programs
Intrinsic Goals - of the music or art - phrasing, thoughtful feeling
Extrinsic Goals - important, but not
necessarily of the music - self-discipline, leadership
Ordinary
Experiences
Educational experiences are divided into two basic
categories - ordinary and aesthetic. Ordinary experiences are best
characterized by a "definite means to a definite end". Ordinary
experiences are obviously crucial to the classroom environment - but we
should not limit our educational experiences to these - and these alone.
[Example: student must learn basic math facts]
Aesthetic
Experiences
Educational experiences are divided into two basic
categories - ordinary and aesthetic. Aesthetic experiences are best
characterized by "doing something - finding you enjoy this experience
- and continuing to seek out this experience - just for the pure enjoyment
of it". When we may shape as many aesthetic experiences as possible
for our classroom - we are at our best. Ordinary experiences may and
oft-times do - lead to an aesthetic experience. [Example: student reads a
book on Mr. Lincoln because he or she has to for class - then
realizes they enjoy and are excited about the life of Mr. Lincoln and
continue to find books and read about him]
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