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(Mr. Brahms)
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Required Listening
I have chosen from the listening examples [The
Norton Recordings, Eighth Edition "Shorter Version" or the
newest, available edition]] the
following selections upon which we will focus our efforts and attention.
You are responsible for an understanding and fluency with those examples
listed.
Mini-Module #1
For Mini-Module One, we will listen to a plethora of musical examples which
are exemplars of monophony, polyphony, consonance, dissonance, major and
minor modality. For MTI [Mini-Test #1] you will be asked to identify the difference between
major and
minor and consonance and dissonance only.
Mini-Module #2
For Mini-Module Two, we will listen to assorted examples of American Music
- ranging from reproductions of Colonial Music through the Jazz Age. For
MTII [Mini-Test #2 - A Virtual MT] there shan't be any "listening" questions.
Mini-Module #3
For Mini-Module Three, we will listen to examples of Gregorian Chants,
other sacred music of the times and secular music which is "on the
rise" during the Renaissance. For MTIII [Mini-Test #3 - A Virtual MT] there shan't
be any "listening" questions.
Mini-Module #4
For Mini-Module Four, we will use the following as "emphasis"
listening examples to illustrate many facets of Baroque music. These
examples will be amplified with many, many other offerings - both audio
and video links. MTIV - A Real-Time MT - will have some "special"
listening questions.
Purcell
Dido and Aeneas, "When I am Laid in Earth" - Dido's
Lament
J.
S. Bach
Cantata #80 - A Mighty Fortress Is Our God
Handel
Messiah - "Rejoice Greatly" and "Hallelujah Chorus"
Vivaldi
Four Seasons, 1st Movement "Spring"
J.
S. Bach
Prelude and Fugue in C Minor
[Well-Tempered Clavier, Book 1]
Module
#5
For Module Five, we will use the following listening examples
to illustrate many facets of music from the Classical Era. These examples
will be amplified with many, many other offerings - both audio and video
links. As TV is a
"real-time" experience - there might be [not a guarantee] several
"listening" questions included.
Haydn
Symphony #94 in G Major, "Surprise" - 2nd movement
Beethoven
Symphony No. 5 in C Minor Op. 67 - 1st movement
Beethoven
Symphony No. 5 in C Minor Op. 67 - 4th movement
Beethoven
Piano Sonata in C Minor - "Pathetique" Op. 13 - 2nd movement
Mozart
"Non so piu cosa son" from The Marriage of Figaro Act 1, Scene 6
Module
#6
For Module Six, we will use the following as "emphasis"
listening examples to illustrate many facets of Romantic music. These
examples will be amplified with many, many other offerings - both audio
and video links. As TVI
probably will be
a "virtual" experience - there shan't be any required listening
for the actual T.
Schubert
Erlking (Erlkonig)
Chopin
Polonaise in A Flat major, Op. 53
Berlioz
Symphonie Fantastique, 4th movement
"March to the Scaffold"
Brahms
A German Requiem, 4th movement
Smetana
The
Moldau, from My Vlas [My Fatherland]
Wagner
Die Walkure, Act III, Finale
Other
Debussy
Prelude to the Afternoon of a Faun
Stravinsky
Petrushka, First Tableau
Copland
Billy the Kid, Scene 1, Street in a Frontier Town
Bernstein
Symphonic Dances from West Side Story - "Cool" and
"Rumble"
Ligetti
Disorder, from Etudes for Piano, Book 1
Thank-You
Pete LaRue
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